Bordwell & Thompson's theory (2001) and Carol Vernallis Theory

The pictorial qualities within a video.

• Patterns, light and dark, color similarities and differences
• Can be used to create smooth continuity or abrupt contrast

• Graphic match - shots link together by graphic similarities
• Graphic continuity - point of interest remaining contrast throughout cuts, maintaining a color theme, same lighting levels.

Rhythmic

• Editing the footage and thinking about the duration of each shot - how long each shot runs for before cutting to the next
• rhythmic editing will show that each shot runs on length according to the beat and tempo of the music
• Different shots will give different effects ( the faster the beat, the shorter the shots).

Spacial - basically maintaining continuity through thinking about the space where the events of the music video takes place.

• Continuity (establishing shot)
• The "Kullshov effect" (no establishing shot)
• Crosscutting ( parallel editing)

Temporal
Still uses continuity
Based on the time frame that the action is taking place in - and how the video footage maniplates time.

• Order (order of the events)
• Duration (how long for)
• Frequency (how often)

Carol Vernallis

MTV Stlye Editing:

• Frequent
• Disjuncture
• Different to film editing

Pop video editing has many functions, these change rapidly. Not one element must gain the upper hand and it must keep up in the present moment.

These changing rapidly, not one element must hain upper hand and it must keep us in the present moment

Shots and edits:

• pop video editing
• Hollywood editing
• Continuity rules
• Prevents time and space overtaking
• preserves time and space